Shining Life Press

All zines available to purchase here:
http://shininglife.bigcartel.com

All zines available to view and download here:
https://drive.google.com/…/1qHreUiL1aYqYhklzBMNSztMRxBl3SYUI

Contact: shininglifepress@gmail.com

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AVAILABLE NOW

SLP-1 FURY Jeremy Stith provides background and lyrical inspiration for all songs included on the Paramount LP.
8 pages
ANSI Letter 8.5″ X 11″

SLP-2 LINE OF SIGHT An interview with Austin Stemper conducted January 2018.
8 pages
ANSI Letter 8.5″ X 11″

SLP-3 SEARCH FOR PURPOSE An interview with Matt Kalbaugh conducted January 2018.
4 pages
ANSI Letter 8.5″ X 11″

SLP-4 DIZTORT Document of the 2017/2018 winter tour including Interviews with every member of the band and a tour story by roadie Morgan.
16 pages
ANSI Letter 8.5″ X 11″

SLP-5 MAMMOTH GRINDER Chris Ulsh provides 5 records that serve as the influence for the “Underworlds” LP.
1 page
ANSI Letter 8.5″ X11″

SLP-6 SECONDSIGHT An interview with Luke January 2018.
2 pages
ANSI Letter 8.5″ X 11″

SLP-7 NO TOLERANCE Chris Corry provides 5 records that serve as the influence for the “No Remorse, No Tolerance” EP.
1 page
ANSI Letter 8.5″ X11″

SLP-8 OMEGAS Spoiler provides 5 records that serve as the influence for the “Blasts of Lunacy” LP.
1 page
ANSI Letter 8.5″ X11″

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COMING SOON

SLP-9 SWIZ Two separate interviews with Jason Farrell and Shawn Brown collected with an explanation for all lyrics and songs on the “Hell yes I Cheated” LP along with memories of Fury by Chris Thompson.
24 pages
ANSI Letter 8.5″ X11″

SLP-10 ADORABLE Pete Fijalkowski provides background and lyrical inspiration for both the “Against Perfection” LP and the “Fake” LP along with most of the B-sides.
20 pages
ANSI Letter 8.5″ X 11″

SLP-11 JOY MACHINE First issue documents all Toy Machine advertisements from 1993 and 1994 along with an extensive interview with Panama Dan Zimmerman.
26 pages
ANSI Letter 8.5″ X 11″

SLP-12 BOLD Complete oral history of the final 1989 summer tour complete with never before seen photos and memories.
22 pages
ANSI Letter 8.5″ X 11″

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Coming later:

UK STRAIGHT EDGE SCENE REPORT Tom Pimlot gives background for each current straight edge band in the UK along with interviews with each band.
BATTLE OF OLYMPUS An interview with programmer and co-creator Yukio Horimoto
UNIFIED RIGHT An interview with Branden Stepp
NO TOLERANCE Interviews with each band and auxiliary member along with a detailed list of all cover songs played.
GENOCIDE PACT Tim Mullaney provides 5 records that serve as inspiration for the band and the “Order of Torment” LP.
CORNERSTONE Complete history
JUSTICE An interview with Wim “Stief” Berchmans about his time before, during, and after the band.
DAMNATION AD Ken Olden and Mike Mcternan provide background and lyrical inspiration for all songs on the “No more dreams of happy endings” LP.
PROTESTER Connor Donegan provides 5 records that serve as inspiration for the band and the upcoming LP.
YOUTH OF TODAY A collection of selected interviews arranged chronologically with extras from 1985-1989.
HIGHER POWER Jimmy provides 5 records that serve as inspiration for himself and the band.

171A, Rat Cage Records Store / A hardcore-fanatic’s guide – Part IV.

Originally released in Chiller Than Most fanzine, issue 5. (Click the picture for bigger size.)

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This innocuous construction was built in 1900, in 117 years this building tells some great history. In 1976, Hyman Lieberman was arrested for possessing 2400 pounds of mannite worth $500,000 which he was distributing to drug dealers for use in cutting heroin. Lieberman owned a store at 171 Avenue A, which he had previously owned and sold in 1966. The burnt-out abandoned building at 171 Avenue A became the epicenter of the New York City hardcore movement, it was down the block from A7.

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MDC with Jerry Williams, 1982.

It was pretty much a community center ran by a guy named Jerry Williams, perfect for hanging out, and a great meeting place too. Jerry was a key figure in the burgeoning early 80s NYHC scene, recording bands at his 171A studio and doing sound at CBGB, as well as playing guitar in Bloodclot and later on with Irate (NYC). He produced records for the Bad Brains, Token Entry, Antidote, Reagan Youth, Warzone, Cro-Mags, Murphy’s Law, and a ton more. In September 1980, Williams began renovating the interior of 171 Avenue A, which had formerly been a glass shop. By November, 171A housed after-hour parties where downtown bands like the Cooties performed. Kids used the space for everything: they put on shows, recorded bands, screened movies. Williams successfully pulled off gigs at 171A every Friday and Saturday night for a few weeks until a rival club tipped the New York Fire Department that it was selling liquor without a license. The NYFD closed it down before a New Year’s party, so it was converted to a rehearsal space. They charged $6 to $8 per hour for bands to rehearse and had a gigantic PA system.

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Dave Parsons

A year later, Jerry’s friend Dave Parsons opened his Rat Cage Records store in 171A’s cellar. There he started the label Rat Cage Records, and put out these awesome records by Beastie Boys (Polly Wog Stew EP), Agnostic Front (Victim In Pain LP) and The Young And The Useless (Real Men Don’t Floss 7″).
Rat Cage was actually the first advertiser in The Big Takeover, way back in issue #8 from December 1981. Their ad described some of their services: “T-Shirts, import records, sold & traded clothes, fanzines, badges and local shit.”

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– 171A is the place where I wrote and recorded the first Cro-Mags songs. Don’t get me wrong, Harley and John wrote many great lyrics to songs but the brutal truth is that I am the Cro-Mags’ founding member. I know who wrote what, what happened and when it happened, who did or didn’t do this and that!* (* Yes, it was irony.)
– 171A is the place where the Bad Brains recorded one of the most influential hardcore releases of all time, the legendary ROIR cassette. The Bad Brains played a gig at 171A in May 1981, Jerry Williams recorded it on reel-to-reel tape. The band really liked the sound and returned to 171A, the Bad Brains spent the rest of 1981 in the East Village, recording with Jerry. 12 of the 15 tracks on the album came from these sessions, while “Jah Calling”, “Pay to Cum” and “I Luv I Jah”, were from Williams’ live recording in May.

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– 171A is the place where Jerry Williams screened music documentaries (“Shellshock Rock” / “Self Conscious Over You” documentary movies about the evolution of the punk scene in Belfast) in the evenings, and between the two flicks the Stimulators performed. Harley Flanagan was 14 old at the time, he was playing drums for the Stimulators.
– 171A is the place where Harley Flanagan used to practice when he was trying to get the Cro-Mags together. He jammed there with the Bad Brains, who lived there at the time. When Harley was putting together the Cro-Mags, with the original lineup was him on bass, ex-Mad drummer Dave Hann, and a pre-Even Worse Dave Stein on guitar, and Louie Rivera (Antidote) was singing with them until Eric Casanova stepped into the picture.
– 171A is the place where Circle Jerks, Angry Samoans, The Subhumans all jammed and recorded.
– 171A is the place where Beastie Boys played their first gig, they opened up for the Bad Brains.
– There was an infamous night when DOA were playing at A7 and then they went over to 171A and did their set and then they went back over to A7 and did another set and the crowd just followed them back and forth.
– 171A is the place where Williams formed a band comprised of Bad Brains roadies who called themselves Bloodclot. They did perform many live gigs opening for the Bad Brains. Although Bloodclot never released an album, they only recorded a demo at 171A.
– 171A is the place where the Beastie Boys recorded the “Polly Wog Stew” EP with producer Scott Jarvis. Utilizing a four-track and an Echo-plex, they were kicked out of the studio after two days so they mixed it in Jarvis’s apartment.

 

Shining Life fanzine

SHINING LIFE – Numbers 1, 2, 3, 5 & 6. Available in their webstore at http://advancedperspective.bigcartel.com/product/shining-life.

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SL-1 / Jeremy explains the meaning and inspiration behind all songs on the paramount album. 8 pages.

SL-2 LINE OF SIGHT / An interview with Austin Stemper. 8 pages.

SL-3 SEARCH FOR PURPOSE / An interview with Matt Kalbaugh. 4 pages.

SL-5 RESULT OF CHOICE / An interview with Jules Strifan. 2 pages.

SL-6 Secondsight / An interview with Luke. 2 pages

Stand Proud – WNYU

Originally released in Chiller Than Most fanzine, issue 4. Artworks by Andrew Monserrate.

STAND PROUD Live – WNYU:

http://www28.zippyshare.com/v/92pqCaCm/file.html

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CTM – What are your memories of this classic radio program?
Andrew Monserrate – I started listening to Crucial Chaos, WNYU 89.1 in the mid 80’s every Thursday night. It’s what really turned me on to “ALL” Hardcore Punk. I mean, usually in the Lower East side scene people listened to the same “IN” stuff “Murphy’s Law, AF, Cro Mags, … Bad Brains and all the local skin head bands.
Listening to Spermicides mixes really shaped my taste for all underground music… I still have cassettes from the mixes of the stuff she played, then the live bands that played afterward. Her mixes included all Hardcore music from all over the country and world, she would mix a Poland band, with the Ramones song, then a rare GBH song, with a local band that put out one basement demo and then broke up, then a Warzone song, A Circle Jerks song, Gang Green song, then another foreign German song etc etc etc… it was incredible. Each cassette (Thursday show) took on a life of it’s own, like a greatest hits album, every song fit perfect and were great because of the songs that came before & after them. I had four or five friends I made copies for and we would listen to them over and over again, even giving each cassette a name. What made every show of hers great and it came out on the cassettes were her announcements of upcoming shows and news about bands… I can still her voice.

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CTM – Stand Proud live on WNYU:
Andrew Monserrate – Stand Proud was a band from Woodside NY. We meet in 86-87. I’ve played guitar in a few Hardcore bands in the mid 80’s but always as a sit in Guitarist. I was introduced to this younger band, Stand Proud from my friends in Warzone. They had some great songs, and I was allowed to write a bunch of songs, so it was really cool shit. We played CBGBs twice and a few other shows and were building a little following. But I’ll never forget… Tommy the Singer for SP, called me and said we had a gig to play Crucial like 6 days away… I Freaked a bit, mainly because I didn’t think we were tight enough as a band… we rehearsed everyday leading up to that show. But I remember that day like it was yesterday… I was actually working as a construction worker and asked the boss if I could leave early because… I was playing live on the radio… We showed up to the building there on Broadway, with our equipment and it took a few elevator rides to get our gear up there. It was very surreal for me, and I must say, I was very nervous, because we had to sit there for the entire first half hour of the show of her playing her mix… Then it was time for us to get ready to go on… Spermicide came on the air made a bunch of announcements.. but there was a problem… there were about 30 of our fans in the studio, and about 50 more in the lobby trying to get up… she announced on the air to the fans to stop trying to come up and the guards were told not to let anymore people up… so this little studio was packed with fans sitting all around the amps and floors… it was crazy… Spermicide said in all her years she never saw anything like that. So anyways.. we start our set and play way to fast, to our standards, because of nerves… but we got through most of it pretty tight, until I broke a string… and of course I don’t have a back up, so I had to play with a missing g-string for the last few songs… but over all it was a great time… to actually play on the station, I loved so much, it was so surreal.

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