Originally published in Town of Hardcore fanzine, issue 5. (Click the picture for bigger size.)
Gene Melkisethian (Give) interview originally published in Chiller Than Most, issue 3.5. Pics by Susan, Brett Sweeney, Dan Gonyea, Tyler Ross.
CTM – How did you start playing drums, and who were your biggest influences growing up?
Gene – I started playing drums because there was a drum set in my attic and I was a curious little bugger. Influences are kind of hard to pinpoint, as I’m more into music in general than just trying to cop someone’s vibe. I saw Fugazi almost constantly from when I was six or seven years old until they stopped, so I heard a lot of Brendan’s drumming, and he’s a great drummer, so I’m sure that’s in the mix. A cassette I found at a very young age was the Bad Brains Roir cassette, and how can you not dig that? As a teen, Sammy Siegler was in every cool band, so when I was the same age he was a big influence. Besides that I really dig Keith Moon, Mitch Mitchell, Vinny Appice, Bill Ward and like a million others.
CTM – Who are your favourite hardcore drummers? Who left the biggest impact on your drum style and why?
Gene – Earl Hudson is the correct answer to this question, but I think that Jeff Nelson is waaaaay overlooked. The good NY(area) guys are obvious: Mackie, Sammy, Drew Beat, Will Shepler. Real into the drumming on the best Integ releases, whoever did it??? Besides that, I’m into the razzmatazz of Chris Bratton- he knows how to put on a show. More modern? Justin DeTore is a machine, and Connor Donegan is a young dude that crushes it. Also Brandon Ferrell from a bunch of NC/VA bands was always fun to watch and super on point, Jonah from Fucked Up is also great. Some of these guys I don’t even know one song by the bands they play in, but I always grab an up front spot to watch them play. I might try to cop a good idea they execute, but I’m too hyperactive to actually learn anything from them, I just make shit up that sounds good with whatever song I’m working on. I’d probably be a lot better (and all of these guys slay me) if I cared about fine-tuning my skills.
CTM – You said in an interview that the lyrics celebrate individuality, free will and a pride in self that stems from personal choices rather than thinking in a group. Do you think it’s important for a band of individuals to all have the same beliefs? What do you think about John’s lyrics?
Gene – Having the same beliefs would be boring. We are all on the same page on a lot of things, but I think that comes from growing together as a unit. We all can learn from each other, and there are a bunch of brainiacs in the group, so we’re always arguing about current events or having political debates. I think John’s lyrics are very good. They are the right mix of simple generalities and detailed snapshots of life. They resonate with a wide variety of people, and stand for the good things: positivity, love, acceptance, tolerance, individuality and growth.
CTM – Looking back, how do you feel about the self titled 12 inch? What memories does it bring to you?
Gene – It’s a cool record, the band was in a constant state of flux and had like three false starts before that. We got in some stupid arguments over the intro track, but that honestly makes the record for me. The opening track is the last thing that the previous lineup did together, and then it busts into a song that kind of summarizes the next era of the band. We were finding our style and image, and we didn’t have it all there at the time. I conscripted Ian to move from bass to guitar because he can actually handle being in a band, and that’s something important to consider. It was also cool because Ben is such a good player (in a more typical mode) that Ian’s inexperience would help us to have a more creative vibe (and how many pics of him prancing about would be posted on the internet if he had a bass in his hand…..). So it was fun to do something new and ambitious and more in line with what I’ve always been working towards.
CTM – Do you feel like you accomplished something with this Electric Flower Circus record that you hadn’t done before on earlier releases?
Gene – It was an insane amount of tracking. We did like twenty songs almost. So that was something that I’d never done before. It was also cool to put it out ourselves. There are definitely things that I wish we had done differently, but that means that I care about it, and the fire is there to do something that’s hopefully “better” in the future.
CTM – What’s been your proudest moment in the band?
Gene – Who knows? It’s all fun. I love playing music, and these guys are great. We can all be giant babies about things, but that’s even fun at this point.
CTM – The Voodoo Leather cassette is probaly one of my most favorites. How would you describe this tape as far as music and lyrics?
Gene – It was all of the weird loose ends that we had hanging at the time. Ian and I are always trying to sell the other guys on our stupid riff-collections that aren’t really songs. I actually think that the music is really cool, but the recording doesn’t fit us. I also think that the lyrics aren’t as thought out as the other releases(with the giant exception of Voodoo Leather). That tape is like a glimpse into our practice space and showcases a side of the band that you might never see otherwise.
CTM – Give plays a style of DC punk mixing influences like Swiz and Rites of Spring with New Order and Soundgarden.Besides this the character/the attitude of what the band represents is totally hardcore. What makes a band a hardcore band in your eyes?
Gene – Who knows? That’s a tough question. On the good side, I see the bands in DC- lots of creative kids, lots of new faces. On the bad side I see bands in other places: conservative politics, sexism, homophobia, gang-mentalities, violence, glorifying the past above all else. Hardcore is our way of approaching things, always giving everything we’ve got when we play, not acting like rock stars- the usual shit, caring about the world and trying to make a difference- not giving in.
CTM – Lion of Judah were a really unique band, you were a little weird compared to the typical hardcore formulas and Give was creating something completely new too in the hardcore scene. What do you think of the state of hardcore music nowadays and the way a lot of bands have a very similar sound?
Gene – It’s the same as it will always be, lots of people that like the violent imagery and need a place to bully others and they’re too weak to be real criminals. On the flip there are people everywhere that want to be different and don’t fit in where they’re from. They need a place to go where they are respected for whoever they are, and they need people that will stick up for them. There are more people that are good than bad, and more people that want to create than destroy, so there are good things to look forward to. We just try to make music that we like and we hope to inspire others to do the same.
CTM – Do you find it difficult to create your own sound and your own identity?
Gene – Not at all.
CTM – It seems to me you are still enjoying the creative process, you are still full of new ideas. What goals do you still have for the band and what are you hoping the future holds?
Gene – More music, more songs, encouraging more diversity in the scene.
Spoiler (Justice) interview originally published in The Ghent Decontrol, issue 4.(Click the picture for bigger size.)
Chiller Than Most zineography
CTM – A4 size, 100 % cut and paste.
Issue #1 – interviews with Geert Hollanders (Control Records), Zachary Wuerthner (Intent,Mob Mentality, Moshers Delight), Unified Right, True, Garbageman, Stand Clear, Eric Fennell (Supertouch documentary)
Issue #2 – featuring interviews and articles with with AJ McGuire (Stop And Think), Gil Sayfan & Zachary Wuerthner (in this interview we are discussing about Token Entry), Jacob Hellas (Straight Truth), John Scharbach (Give, Breakthrough), Mikhail Blagodir & Roman Kravets (Sike), Owen Black (Jaguarz), the Hardcore Mailman by Dini
Issue #3 – featuring interviews and articles with Jeremy Stith (Fury), Adam Rifkin (Stick Together, War Hungry), Ned Russin (in this interview we are discussing about Youth of Today), Freddy Alva (New Breed compilation), Connor Donegan (Protester), Connor Hehir (Shrapnel)
Issue #3.5 – Give special issue, flowerhead fanzine featuring interviews and articles with Aaron Chrietzberg, Ahron Reinhard, Angela Owens, Christopher Wilson, Chad Troncale, Dylan Chadwick, Evan Wivell, Gene Melkisethian, Ian Marshall, John Scharbach, Nick Hinsch, Terri Waters, Zachary Wuerthner
Issue #4 – featuring interviews and articles with Marlene Goldman (DJ Spermicide, WNYU’s Crucial Chaos), Nathan Simpson & Matt LaForge (in this interview we are discussing about BOLD), Mir Ali (Might, Look Beyond ‘zine), Combatant, The Flex, Touch and background articles on WNYU’s Crucial Chaos Radio Show (Stand Proud, Up Front, Under Pressure, Warzone, Fit Of Anger, Chris Wynne, Tony Rettman, Justin Aledia, Our Gang, Uppercut, Close Call, Krakdown, Supertouch, Beyond)
Issue #5 – featuring interviews and articles with Ambrose Nzams & Dylan Chadwick (an in-depth analysis of the history of Mental), Nancy Barile , Tony Rettman, Firm Standing Law, The Accursed, Supertouch, the unedited BOLD chapter (“Straight Edge: A Clear-Headed Hardcore Punk History”), the story of the infamous Buff Hall show (Minor Threat, SS Decontrol, Agnostic Front), things to check out in NYC, a hardcore-lover’s guide (171A, A7, The Pyramid Club, CBGB, Tompkins Square Park, Ray’s Candy Store)
Illustrator by Chun Guo (Click the picture for bigger size.)
Yo! My name is Attila. Some of you may know, some of you may not, but I am also doing Chiller Than Most, a hardcore fanzine that I started exactly 5 years ago this spring.
Are any of you still into reading hardcore fanzines? I hope so. I truly believe that fanzines are as important as bands, the difference is that far less people care about zines than about music. I want to change that with the help of this website. (If you don’t like to read or you are too lazy to read, you’re at the wrong place. Sorry.) Fanzines are still important for die hard hardcore fans, important for promoting music communities and gatekeeping music tastes. They are still a genuine part of the scene to people who are genuinely interested in it. Whatever happens in the future, they will always exist. As long as someone has something to say, the zines will live on. (And the kids will have their say…)
I try to keep Do You Know Hardcore? updated regularly, so please check back often. From time to time, I will upload zine excerpts, pics, interviews. If you love fanzines, as much as I do, then you will dig this site!
I want to thank everyone involved with the fanzine culture, and I also want to thank the bands, old and new. Without these hardcore bands and zines there would have been no Chiller Than Most fanzine or Do You Know Hardcore? blog. Thanks.